Revealing the Heart of Darkness in Apocalypse Now Essay example -- Mov

Revealing the internality of wickedness in apocalypse Now Often a novel filmed as a movie departs from the original story, sometimes for better, sometimes for worse. However, many bulky work of literature have excite movies, and served as the basis for a great film, even though the film may approach the literature in a different way. Such is the case with Francis Ford Coppolas Apocalypse Now, which was inspired by Joseph Conrads Heart of Darkness. Coppola and the screenwriter, John Mileus, took a story written or so eighty years earlier and used its basic motif of the interior(a) trace of man and the idea of the journey up a river into the foreign to tell a story about one of the darkest, most confound chapters of American history the Vietnam War. Coppolas alterations to Heart of Darkness serve to exemplify his boilers suit point, namely, that the United States involvement in Vietnam was itself a descent into the heart of unfairness. Coppola was able to make a movie wit h such a theme for an American audience that was still dealing with Vietnam. The movie came out cinque years after the last host finally left Vietnam, and the American public was still asking itself what had been accomplished and why we had been involved, while the troops who had served there were haunted by memories of the horrors they had seen, and were left wondering what it had all been value as well. Coppola found a story in Heart of Darkness that dealt with the same issues of darkness and confusion, and he applied them to Vietnam to accomplish the task of demonstrating the darkness that was the Vietnam War. Coppola uses the basic plot structure and theme of Heart of Darkness to fetch a message that America was wrong in the Vietnam War, and he comes... ... power saw the darkness of a bloody, confusing war that surely parallel Conrads colonialism, entirely that also showed that the inner darkness of all man was still at work in the world. He shows that war is at its heart still a manifestation of that darkness. As Mike Wilmington puts it in his article expense the Wait Apocalypse Now, Its a search . . . toward death and dissolution. Probably Coppola . . . could non explain what that search was meant to find (288). With Apocalypse Now, Coppola has looked down a round-backed unclear path into the heart of darkness. Works Cited Chatman, Seymour. Two and a half(prenominal) Versions of Heart of Darkness. Conrad on Film. Ed. Gene M. Moore. Cambridge Cambridge University Press, 1997. Wilmington, Mike. Worth the Wait Apocalypse Now. Heart of Darkness, Norton Critical Edition. New York W.W. Norton and Company, 1988.